If Satan Didn’t Exist

RED TIDE — Final Scene

Interior: A vast, dimly lit underground silo somewhere in Siberia. The steel skeleton of an old SS-18 missile rises like a relic of a darker age—but it has been transformed. Its surface is no longer dull military gray; it gleams with panels, antennae, and delicate lattice structures. It looks less like a weapon… and more like something meant to ascend.

Snow falls through the open silo doors above, drifting down like ash.

G.I. JOE stands at the base, staring upward. His voice is low, almost reverent.

G.I. JOE
I spent my whole life training to stop this thing…
And now you’re telling me it’s humanity’s salvation?

NADYA RIOT—President of Russia—steps forward. Calm. Composed. Unafraid. She wears no military uniform, only a stark white coat that almost blends with the falling snow.

NADYA
Salvation is just another word we use when we’re afraid of extinction.

She gestures upward. The missile hums faintly, alive.

NADYA (CONT’D)
This was built to end the world. So I asked myself… why not make it begin one instead?

G.I. JOE
You’re still lighting the fuse.

NADYA
Yes. But now… it leads somewhere.

A low rumble builds. The missile begins to shift—panels unfolding, segments rotating. The warhead splits open, revealing a radiant core. Light spills out, soft at first… then blinding.

G.I. JOE shields his eyes.

G.I. JOE
What the hell is that?

NADYA (quietly)
Hope… engineered from fear.

The structure continues transforming—metal wings unfurling, not literal but suggestive, geometric and luminous. The machine no longer resembles a weapon. It resembles something mythic… an “angel” forged from steel and fire.

G.I. JOE
You turned the Devil into an angel.

NADYA
No…
We revealed what it always was.

The rumble crescendos. Snow whips into a cyclone around them.

G.I. JOE
And if you’re wrong?

Nadya turns to him, her expression unreadable—half sorrow, half defiance.

NADYA
Then we end as we were always going to.

A beat. The light intensifies.

G.I. JOE
You really believe this will save us?

NADYA
I believe humanity needs something to push against… something to define itself.

She looks back up at the blazing construct.

NADYA (CONT’D)
Enemy. God. Devil. It doesn’t matter what we call it.

The engines ignite—silent at first, then roaring like a rising storm.

NADYA (final line, almost a whisper):
If Satan didn’t exist…
we would create him.

The “angel” ascends—bursting from the silo in a column of light, tearing through the clouds. The sky glows.

Joe watches, frozen between awe and dread.

Cut to black.

END

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Run Riot: Putin

Red Son Superman stands on a quiet Adriatic cliff at dawn. The sea below Split is calm, ancient, indifferent to empires. His red cape hangs heavy—not with wind, but with history.

Pussy Riot approach, bright balaclavas against the pale stone, guitars slung like contraband truth.

Pussy Riot (Nadya):
So even you leave Moscow.

Red Son Superman:
I did not leave the people. I left the palace. There is a difference.

Pussy Riot (Masha):
Kasparov said the same thing. Chess grandmaster, poisoned board. You can’t play fair when the king flips the table.

Red Son Superman:
In the Soviet Union, I was raised to believe the state could be moral. That power could be clean.
(pauses)
Putin cured me of that illusion.

Pussy Riot (Olga):
Croatia, then? Adriatic air instead of Novichok?

Red Son Superman:
Empires rot inland. Coasts remember trade, movement, escape. Dalmatia has survived Rome, Venice, Vienna, Belgrade. It knows how to wait out tyrants.

Pussy Riot (Nadya):
And you? The strongest man alive—afraid of poison?

Red Son Superman (softly):
I am not afraid for myself. I am afraid of becoming a symbol they can murder and weaponize. Martyrs are useful to dictators.

Pussy Riot (Masha):
So you choose exile over a state funeral.

Red Son Superman:
I choose time. Time to speak without a handler. Time to let truth arrive without sirens.

Pussy Riot (Olga):
From Croatia, what do you do?

Red Son Superman:
The same thing Kasparov does. The same thing you do.
I tell the truth loudly enough that silence becomes suspicious.

Pussy Riot (Nadya):
(smiles)
Welcome to the Balkans, Comrade Superman. Everyone here knows empires lie.

Red Son Superman looks out over the sea. For the first time, the red on his chest does not belong to a flag.

Red Son Superman:
Then maybe… this is where a man raised by propaganda finally learns freedom.

The guitars strike a discordant chord. The sun rises. No anthem plays.

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Too Rich To Be Cool

The setting is a dimly lit, sticker-plastered dive bar backroom. Yugo Joe is nursing a lukewarm beer, while Nadya Riot is busy stitching a “Tax the Rich” patch onto a frayed denim vest.


Yugo Joe: (Sighing, gesturing at a news clip on the muted TV) Look at that guy. Another gold-plated tower, another fleet of planes. It’s exhausting, Nadya. How can anyone think being that rich is “cool”? It’s just… heavy.

Nadya Riot: (Without looking up) Cool? Joe, the man’s aesthetic is “dictator chic” from a 1980s catalog. There’s no soul in it. You can’t be cool when you’re obsessed with your own name in neon. Coolness requires a certain amount of detachment, right? He’s the opposite. He’s attached to every cent.

Yugo Joe: Exactly! It’s the selfishness that kills it for me. I always thought being cool meant being a man of the people—or at least having enough self-awareness to share the room. He treats the whole world like his personal lobby. If you aren’t helping him win, you don’t exist.

Nadya Riot: It’s a scarcity mindset, which is hilarious for a billionaire. He acts like if he gives away a crumb of credit or a dollar of tax, his whole ego will deflate. Real coolness is generative. It’s punk, it’s DIY, it’s collective energy. You can’t buy “edge” at a country club, I don’t care how many zeros are in your bank account.

Yugo Joe: Right? He’s got all the money in the world and he uses it to buy… more of the same. More mirrors. It’s like he’s stuck in a loop of trying to prove he’s the biggest guy in the room. A cool person doesn’t have to tell you they’re the “best” every five minutes. They just are.

Nadya Riot: (She bites the thread and finally looks up) It’s because he’s a consumer, Joe. A professional consumer. He consumes attention, land, and loyalty. But art? Rebellion? Authentic style? Those things require sacrifice and empathy. He’s too selfish to ever let a moment be about something bigger than himself.

Yugo Joe: I guess that’s the tragedy of it. He’s got the resources to change the world, but he’s too busy checking the gold leaf on his bathroom fixtures.

Nadya Riot: Let him have his gold. It’s heavy, it’s soft, and it’s gaudy. I’ll take a canvas jacket and a loud guitar any day. You can’t be a rebel when you are the system.

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