having delusions of Grandeur….i am the real chosen one, Jake Lloyd
INT. CANTINA — OUTER RIM PLANET — NIGHT
Nadya sits across from Jake Lloyd, now older but still with the quiet intensity of the boy who once played Anakin Skywalker. The cantina hums with alien chatter and off-world music. A holo-screen in the corner replays a clip of Donald Trump saying: “I am the chosen one.” Jake smirks bitterly.
NADYA You hear that? Calls himself the chosen one.
JAKE LLOYD (chuckling) Yeah. Funny thing about that title… I’ve been there. Played it, lived it… and let me tell you, when someone truly believes it, it doesn’t end well.
NADYA Trump thinks it makes him some kind of savior.
JAKE That’s the trap. The “chosen one” believes the galaxy—or country—revolves around them. It’s not leadership, it’s ego. Anakin fell for that. He thought prophecy made him untouchable.
NADYA And what happened?
JAKE He stopped listening. To the Jedi, to Padmé, to anyone who wasn’t feeding the fantasy. He thought he could bring order to the galaxy by force.
NADYA And Trump?
JAKE Same pattern. Grand visions, no humility. The difference is, Anakin had a tragic arc written for him. Trump’s writing his own… and he doesn’t realize the ending he’s setting up.
NADYA (smiling) So you’re saying he’s on the dark side?
JAKE Let’s just say—if he had a lightsaber, it’d be red. And it wouldn’t be for defense.
They clink glasses. The holo-screen loops again, Trump declaring, “I am the chosen one.” This time, both of them just laugh.
GI Joe and Nadya Riot sat slouched on the torn couch in the squat, the flickering light of CCCP1 Russian television filling the room. The anchor droned on in stiff, wooden tones, reciting statistics from the glory days of the Soviet Union. Grain harvests, industrial output, heroic cosmonauts.
Joe lit a cigarette and muttered, “They always skip over the weak link.”
Nadya smirked, eyes glued to the screen. “The Uzbeks. Everyone knew it. Central Asia was the soft underbelly. They wanted bazaars, family, gold teeth— not tractor factories and collective farms.”
The camera cut to archival footage of Uzbek kolkhoz workers waving red banners, their smiles wide but their eyes hollow.
Joe tapped the ashtray. “Whole socialist utopia built on the illusion of unity. But the moment Moscow loosened its grip—”
“—it fell apart like a bad circus tent,” Nadya finished, raising her glass. “To the weak link.”
They clinked glasses, and for a moment, the revolutionary fire in their eyes burned brighter than the TV glow.
Scene: Athens, Syntagma Square – Night The square is a cauldron of fire and smoke. Riot shields gleam in the orange glow of burning barricades. Protestors chant and hurl bottles, the air filled with the acrid tang of tear gas and gasoline.
Solid Snake, his bandana fluttering, and Nadya Riot, her megaphone crackling, step forward through the haze.
Nadya Riot (into megaphone): “Brothers, sisters—do the Onassis Illuminati pay you enough to drown in fire? Enough to be engulfed in the flames of Molotov cocktails?!”
The soldiers hesitate. Some lower their weapons slightly, eyes darting between their commanders and the crowd.
Snake (voice steady, commanding): “You swore an oath to protect Greece—not to crush her under the weight of foreign banks. Put down your guns. Stand with the people. Stand for freedom.”
A soldier at the front blinks, sweat dripping down his brow. His shield dips.
Nadya Riot (raising her fist): “End the debt! Jubilee now!”
The crowd erupts, chanting the word “Jubilee! Jubilee!” like thunder rolling across marble streets. The riot police shift uneasily, the line fracturing as more weapons clatter to the ground.
In the background, the flames rise higher, licking at the symbols of wealth and power. The question lingers in every soldier’s mind: Will I stand with the people—or burn for the bankers?
The Red Terror of Communism: The Rothschilds and the Genocide of 66 Million Slavic Christians By Joseph C. Jukic
Introduction
The 20th century witnessed one of the most brutal ideological experiments in human history—Communism. Under the guise of equality and liberation, Marxist regimes slaughtered approximately 66 million Slavic Christians, a genocide often overlooked in mainstream historical discourse. Behind this orchestrated carnage lay not merely the fanaticism of revolutionaries like Lenin and Stalin, but the financial and strategic machinations of international banking elites, particularly the Rothschild dynasty. Through meticulous research, including Antony C. Sutton’s Wall Street and the Bolshevik Revolution, Eustace Mullins’ The World Order, Juri Lina’s Under the Sign of the Scorpion, and the explosive revelations of The Red Symphony, a chilling truth emerges: Communism was a weaponized economic system, funded and directed by Western financiers to destabilize nations and consolidate global power.
The Rothschilds and the Financing of Revolution
The Bolshevik Revolution of 1917 was not a spontaneous uprising of the oppressed masses but a carefully bankrolled coup. Sutton’s Wall Street and the Bolshevik Revolution documents how American financiers, including Rockefeller and Morgan interests, funneled millions to Lenin and Trotsky. However, these bankers were themselves nodes in a larger network—one ultimately controlled by the Rothschild financial empire.
Eustace Mullins’ The World Order traces how the Rothschilds, through their dominance of central banking, manipulated both sides of conflicts to ensure perpetual debt and control. The Russian Revolution was no exception. By financing the Bolsheviks, the Rothschilds ensured the destruction of Christian, nationalist Russia—a bulwark against their vision of a globalist, banker-dominated order.
The Red Terror: A Calculated Slaughter
Once in power, the Bolsheviks unleashed a systematic extermination campaign against Slavic Christians—Orthodox peasants, clergy, and intellectuals who resisted atheistic Marxism. The Red Symphony, an interrogation transcript of a high-ranking Soviet official, reveals that Stalin himself admitted Communism was a tool of international financiers. The genocide of 66 million was not an accident but a deliberate depopulation strategy, mirroring the Rothschilds’ broader Malthusian agenda.
Juri Lina’s Under the Sign of the Scorpion further exposes how Freemasonic and Illuminist networks, closely tied to the Rothschilds, infiltrated and directed Communist movements. The goal? To destroy Christianity, erase national identities, and establish a godless, banker-controlled world government.
Conclusion: The Unspoken Holocaust
The Red Terror was not merely a political purge—it was a spiritual and ethnic genocide, enabled by Rothschild capital. The 66 million dead Slavic Christians stand as martyrs to a war waged not by the proletariat, but by globalist oligarchs hiding behind Marxist rhetoric. Until this truth is acknowledged, the specter of Communism will continue to haunt humanity, reshaped into new forms of oppression.
The blood of the martyrs cries out for justice—and for the exposure of those who financed their executioners.
Sources Cited:
Sutton, Antony C. Wall Street and the Bolshevik Revolution.
Mullins, Eustace. The World Order.
Lina, Juri. Under the Sign of the Scorpion.
The Red Symphony (interrogation of Christian Rakovsky).
Joseph C. Jukic is an independent historian focusing on the intersection of finance, geopolitics, and ideological subversion. His work seeks to expose the hidden forces behind historical tragedies.
