Schizophrenic Donald Trump

TRUMP IS CLEARLY

having delusions of Grandeur….i am the real chosen one, Jake Lloyd

INT. CANTINA — OUTER RIM PLANET — NIGHT

Nadya sits across from Jake Lloyd, now older but still with the quiet intensity of the boy who once played Anakin Skywalker. The cantina hums with alien chatter and off-world music. A holo-screen in the corner replays a clip of Donald Trump saying: “I am the chosen one.” Jake smirks bitterly.

NADYA
You hear that? Calls himself the chosen one.

JAKE LLOYD
(chuckling)
Yeah. Funny thing about that title… I’ve been there. Played it, lived it… and let me tell you, when someone truly believes it, it doesn’t end well.

NADYA
Trump thinks it makes him some kind of savior.

JAKE
That’s the trap. The “chosen one” believes the galaxy—or country—revolves around them. It’s not leadership, it’s ego. Anakin fell for that. He thought prophecy made him untouchable.

NADYA
And what happened?

JAKE
He stopped listening. To the Jedi, to Padmé, to anyone who wasn’t feeding the fantasy. He thought he could bring order to the galaxy by force.

NADYA
And Trump?

JAKE
Same pattern. Grand visions, no humility. The difference is, Anakin had a tragic arc written for him. Trump’s writing his own… and he doesn’t realize the ending he’s setting up.

NADYA
(smiling)
So you’re saying he’s on the dark side?

JAKE
Let’s just say—if he had a lightsaber, it’d be red. And it wouldn’t be for defense.

They clink glasses. The holo-screen loops again, Trump declaring, “I am the chosen one.” This time, both of them just laugh.

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UN Binding Resolution

Solid Snake x Nadya Riot — UN Blue Helmets in the Snow

[Somewhere cold. A safehouse with cracked windows. Snow hisses against the glass. A blue UN armband lies on the table.]

Solid Snake:
So… UN-monitored election. Ballot boxes instead of bullets. That’s new.

Nadya Riot:
Don’t get sentimental, Snake. Bullets are still invited. They’re just waiting outside, smoking.

Snake:
Figures. Power never leaves quietly. It pretends it’s democratic while hiding a knife under the table.

Nadya:
Putin built a system where the table is the knife. Courts, media, security—stacked like nesting dolls. You open one, there’s another inside.

Snake:
That’s why the UN’s here. Observers, peacekeepers, cameras everywhere. Sunlight makes cockroaches nervous.

Nadya (smirks):
Unless the cockroaches own the power grid.

Snake:
Fair point. Still—monitors change the math. You can’t fake turnout when the world’s counting heads instead of slogans.

Nadya:
People are scared. They whisper in voting booths like God is bugged. Years of fear don’t evaporate because someone wears a blue helmet.

Snake:
Fear’s a weapon. But it dulls with use. Eventually people realize it’s heavier than freedom.

Nadya:
You sound like you believe this could actually work.

Snake:
I’ve seen worse odds. Shadow wars. Nuclear brinkmanship. AI colonels making kill lists.
An honest vote? That’s almost quaint.

Nadya:
Quaint gets you killed here.

Snake:
So does doing nothing.

[A distant helicopter thumps. UN markings flash past the window.]

Nadya:
They say the election is about stability. About “continuity.”

Snake:
Every strongman loves that word. Stability—for them.
Democracy’s unstable. It argues. It changes its mind. That’s the point.

Nadya:
If he loses, he won’t just walk away.

Snake:
No. But he won’t be able to disappear the loss either. Not with witnesses. Not with receipts.

Nadya:
And if he wins?

Snake:
Then at least the question was asked out loud. Sometimes the first victory is forcing the truth into daylight.

Nadya (quiet):
People are lining up already. Old women. Students. Factory guys who’ve never voted before.
They’re shaking—but they’re showing up.

Snake:
That’s the real battlefield. Courage beats propaganda every time. It just takes longer.

Nadya:
You staying through election day?

Snake:
Yeah. Someone has to make sure the lights stay on… and the boxes don’t walk away.

Nadya (half-smile):
Welcome to democracy, Snake. It’s messy. Loud. And fragile as glass.

Snake:
Glass can cut.

[They share a look. Outside, the snow keeps falling—but people keep lining up.]

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You’re Not the Master

A Confrontation at the Marble Plantation

The place looks like a palace, but it smells like a factory.
Marble floors. Gold trim. Invisible chains.

Donald Trump stands on a balcony overlooking the fields—endless rows of people bent over glowing screens, ticking clocks, numbers flowing upward into towers of glass.

Enter Master Jesus, JCJ—no sandals, no crown. Just calm. Dangerous calm.

JCJ:
Donald.

Trump turns, squints.

Trump:
Jesus? I didn’t know you were… union.

JCJ:
I’m not here for unions. I’m here for slaves.

Trump laughs, sharp and practiced.

Trump:
Nobody’s a slave. They’re free. They choose to work. Tremendous choice. Best choice.

JCJ gestures to the fields.

JCJ:
Debt without escape.
Labor without rest.
Money created from nothing, owed with interest forever.

That’s not freedom. That’s a plantation with better branding.

Trump bristles.

Trump:
The Federal Reserve isn’t mine. Very independent. Smart people. Very smart.

JCJ:
And yet you guard it like a temple
and whip anyone who questions the money-changers.

Silence. The screens flicker. The workers pause, just for a second—like they felt something.

Trump:
I gave them jobs. I gave them hope. I gave them stock tips.

JCJ:
You gave them numbers and called it life.
You gave them chains and called it success.

I flipped tables for less.

Trump steps closer.

Trump:
You don’t understand power.

JCJ smiles—sad, ancient.

JCJ:
Power is not making people kneel.
Power is teaching them they never had to.

He kneels, scoops a handful of dust from the marble floor.

JCJ (cont’d):
This plantation runs on belief.
The moment they stop believing, it turns back into dust.

Trump looks past JCJ—out at the fields. The workers are standing now. Watching.

For the first time, Trump doesn’t speak.

JCJ:
I’m not here to condemn you, Donald.
I’m here to tell you the truth.

You can’t build heaven on debt.
You can’t print salvation.
And you can’t enslave the image of God without the bill coming due.

JCJ turns and walks away.

The clocks stop ticking.

Somewhere, a chain breaks—not loudly, but for good.

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Flowers in my Hair

A rooftop at dawn. Moscow still half-asleep.
Concrete breathes cold. Somewhere, a siren rehearses the future.

Nadya Riot sits cross-legged on the edge, boots scuffed, guitar case beside her. She has dandelion flowers woven through her hair, yellow against the gray. She plucks one, blows—seeds scatter like quiet manifestos.

RED SON stands nearby, cape barely moving, eyes red not with rage but with listening.


NADYA RIOT:
They call it weakness, you know. Flowers. Songs. A girl with a guitar instead of a gun.
(smiles)
But dandelions crack sidewalks. They don’t ask permission.

RED SON:
In my world, revolutions arrive wearing uniforms. They carry certainty like a weapon.
(pauses)
You arrive… unarmed.

NADYA RIOT:
Unarmed isn’t the same as harmless. Punk was never about chaos—it was about truth said too loud.
I don’t want a throne toppled. I want fear embarrassed.
I want people to laugh at it until it shrinks.

RED SON:
Power does not fear laughter. It fears organization.

NADYA RIOT:
Then watch closely.
Music organizes breathing.
Choruses organize strangers.
Silence organizes courage.

(She places a dandelion behind his ear. Absurd. Tender.)

RED SON:
I could stop tanks. I could bend history with my hands.

NADYA RIOT:
And they’d rebuild the tanks with better steel.
But try stopping a song once it’s learned.
Try arresting a memory.

RED SON:
You dream of a peaceful revolution.

NADYA RIOT:
No. I practice it.
Every time someone chooses joy over obedience.
Every time a girl sings when she’s told to kneel.

(The wind lifts. Seeds drift across the city.)

RED SON:
What do you want from me?

NADYA RIOT:
Nothing heroic.
Just don’t crush the flowers when you land.

(She stands, slings the guitar over her shoulder.)

NADYA RIOT (softly):
Even empires are temporary.
But dandelions—
they come back every spring.

Red Son watches the seeds disappear into the morning light, uncertain for the first time whether strength is measured in force… or in what refuses to be afraid.

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