If Satan Didn’t Exist

RED TIDE — Final Scene

Interior: A vast, dimly lit underground silo somewhere in Siberia. The steel skeleton of an old SS-18 missile rises like a relic of a darker age—but it has been transformed. Its surface is no longer dull military gray; it gleams with panels, antennae, and delicate lattice structures. It looks less like a weapon… and more like something meant to ascend.

Snow falls through the open silo doors above, drifting down like ash.

G.I. JOE stands at the base, staring upward. His voice is low, almost reverent.

G.I. JOE
I spent my whole life training to stop this thing…
And now you’re telling me it’s humanity’s salvation?

NADYA RIOT—President of Russia—steps forward. Calm. Composed. Unafraid. She wears no military uniform, only a stark white coat that almost blends with the falling snow.

NADYA
Salvation is just another word we use when we’re afraid of extinction.

She gestures upward. The missile hums faintly, alive.

NADYA (CONT’D)
This was built to end the world. So I asked myself… why not make it begin one instead?

G.I. JOE
You’re still lighting the fuse.

NADYA
Yes. But now… it leads somewhere.

A low rumble builds. The missile begins to shift—panels unfolding, segments rotating. The warhead splits open, revealing a radiant core. Light spills out, soft at first… then blinding.

G.I. JOE shields his eyes.

G.I. JOE
What the hell is that?

NADYA (quietly)
Hope… engineered from fear.

The structure continues transforming—metal wings unfurling, not literal but suggestive, geometric and luminous. The machine no longer resembles a weapon. It resembles something mythic… an “angel” forged from steel and fire.

G.I. JOE
You turned the Devil into an angel.

NADYA
No…
We revealed what it always was.

The rumble crescendos. Snow whips into a cyclone around them.

G.I. JOE
And if you’re wrong?

Nadya turns to him, her expression unreadable—half sorrow, half defiance.

NADYA
Then we end as we were always going to.

A beat. The light intensifies.

G.I. JOE
You really believe this will save us?

NADYA
I believe humanity needs something to push against… something to define itself.

She looks back up at the blazing construct.

NADYA (CONT’D)
Enemy. God. Devil. It doesn’t matter what we call it.

The engines ignite—silent at first, then roaring like a rising storm.

NADYA (final line, almost a whisper):
If Satan didn’t exist…
we would create him.

The “angel” ascends—bursting from the silo in a column of light, tearing through the clouds. The sky glows.

Joe watches, frozen between awe and dread.

Cut to black.

END

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Cold War Star

Josip stood beneath the faded red banners of memory and myth and addressed the old ghosts of the Cold War.

“You made me a star in the USSR,” he says with a half-smile. “A product of tension. A child of the Iron Curtain. I learned early that empires rise on fear — and fall on hubris.”

He looks toward the horizon, where rumors swirl like storm clouds.

“They whisper of a North Korean EMP… of 84 loose nukes lost in the fog of the Cold War… of earthquakes triggered by secret machines… of a meteor named Wormwood sent by some ‘United Galaxy’ to cleanse the madness.”

He pauses.

“But whispers are not destiny.”

Josip shakes his head.

“Every superpower thinks the end of the world will come from the sky — or from underground — or from a secret weapon. But history tells a different story. Nations fall when they forget their people. When spectacle replaces sanity. When leaders mistake noise for strength.”

He turns thoughtful.

“My brother Bruno… if he’s willing… maybe we go as tourists. Not conquerors. Not prophets. Just two brothers walking through Disneyland. One last visit. One last chance for America to remember it was built on dreams, not doomsday.”

He smiles slightly.

“Because the end doesn’t come from EMPs or meteors. It comes when people stop believing in renewal.”

He looks back at the silent audience.

“And I still believe in second chances.”

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Run Riot: Putin

Red Son Superman stands on a quiet Adriatic cliff at dawn. The sea below Split is calm, ancient, indifferent to empires. His red cape hangs heavy—not with wind, but with history.

Pussy Riot approach, bright balaclavas against the pale stone, guitars slung like contraband truth.

Pussy Riot (Nadya):
So even you leave Moscow.

Red Son Superman:
I did not leave the people. I left the palace. There is a difference.

Pussy Riot (Masha):
Kasparov said the same thing. Chess grandmaster, poisoned board. You can’t play fair when the king flips the table.

Red Son Superman:
In the Soviet Union, I was raised to believe the state could be moral. That power could be clean.
(pauses)
Putin cured me of that illusion.

Pussy Riot (Olga):
Croatia, then? Adriatic air instead of Novichok?

Red Son Superman:
Empires rot inland. Coasts remember trade, movement, escape. Dalmatia has survived Rome, Venice, Vienna, Belgrade. It knows how to wait out tyrants.

Pussy Riot (Nadya):
And you? The strongest man alive—afraid of poison?

Red Son Superman (softly):
I am not afraid for myself. I am afraid of becoming a symbol they can murder and weaponize. Martyrs are useful to dictators.

Pussy Riot (Masha):
So you choose exile over a state funeral.

Red Son Superman:
I choose time. Time to speak without a handler. Time to let truth arrive without sirens.

Pussy Riot (Olga):
From Croatia, what do you do?

Red Son Superman:
The same thing Kasparov does. The same thing you do.
I tell the truth loudly enough that silence becomes suspicious.

Pussy Riot (Nadya):
(smiles)
Welcome to the Balkans, Comrade Superman. Everyone here knows empires lie.

Red Son Superman looks out over the sea. For the first time, the red on his chest does not belong to a flag.

Red Son Superman:
Then maybe… this is where a man raised by propaganda finally learns freedom.

The guitars strike a discordant chord. The sun rises. No anthem plays.

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